From a friend's question, Is "Gershwin a classic or jazz!? Then, Kapustin?
This made me worried at the writing to say. "it is a classic that there is a musical score and it is jazz that there is nothing."
In my opinion, jazz is a language. Rhapsody in blue is seldom digested as jazz with grand classic music (all are not done). It is to make it -> Jazz language.
Now, the background of music is investigated when carrying out the arrangement of music first.
As for (Rhapsody in Blue), American composer George Gershwin is a musical composition for the piano solo which composition and the Ferdy グローフェ arranged, and orchestral music.
Rhapsody in and the title of being blue have a meaning of the grade of "the rhapsody by the usage of jazz."
by the way, a rhapsody (rhapsody) the epic poetry of the ethnic music style like there is no form in particular -- freedom -- since there is a meaning called the wild musical piece " of the fantasy style, Gershwin can observe having realized jazz to be the "ethnic music" of a certain kind in the United States from this title.
Gershwin finished writing at a stretch in about two weeks as music for the jazz bands of the piano which self plays, and small organization.
In that case, the Ferdy Grophe is performing the orchestration instead of Gershwin who was not yet well versed in orchestral music those days.
The orchestration of the Grophe is recarried out for [ of Gershwin's postmortem and large organization ] symphony orchestras, and this version is mainly performed after that.
Although it is my being interested not being performing as a musical score, and carrying out digestive swallowing once (it is decomposed whether it saying), carrying out using the "outstanding impressive theme", and producing another New Product, If it searches It performs by the combo and trio of small organization, and does not find a performance unexpectedly. Rhapsody in Blue , Eumir Deodato Trio
Trio Fusion flower and Eumir Deidato which carried out the loan and took the world by storm by Jazz-ization of Classic in 1977 were arranged in the time of the record.
It is true. It is said that Deodato is incidentally living this year (2013) at the age of 70. Rhapsody in Blue , Pyramid 3
Probably, this Pyramid 3 may call it the remake of the basic Deodato version, although face was a little surprised.
Concept three days after a title comes out from a friend The 3rd edition of Deodato/ Pyeamid is repeatedly studied by the car of commuting till the previous day.
although an arrangement is worriedly considered in the head, without going to a keyboard generally in the case of and one-shot processing and も of ad lib are good in eight beats however, the に which cannot get used the first syncopation somehow -- me -- once -- retreat.
If the bottom does not make that theme into a gorgeous feeling calmly.
it cannot bring to ad lib as it is not in one shot but in code of the original melody -- it is -- mind changes at ? and performance that day, and it cooks so that it may be easy to carry out ad lib by an orthodox piano trio.
Since the danger of lost has a portion of A of a theme adlib by 5 vibrant-tune-12 vibrant tune, a 1 vibrant-tune addition is carried out, and it is 。.
A code is also changed. The musical score was created.
And this performance is a performance performed on the day in the previous arrangement for one-shot rehearsal about 20 minutes.
Although such music must be able to flip a theme beautifully, it has been missed from the beginning.
A cause is that a theme will be busy touch if it unites with the speed (it is easy to do) of ad lib.
Mr. Sakai of bass -- "-- since a solo is for about 5 minutes before starting -- しょ "
"-- disagreeableness and there -- All the copies were not carried out. -- .. "
Although there long - Was also Professor Professor Michel Camillo and smallness Makoto Sone and he was flipping the solo strikingly, a hand did not turn to there.
Impossible, if Allais does not practice repeatedly as classic.