When you create songs by Beethoven and Chopin code notation, we notice that many fractional code.
Also, this song is a waltz, it is important that accent the second beat. The hardest part is rather cliche line in jazz is not available, I feel it became every eight bars over the flow of the code. Need to think a little more. May 8, 2011 Kuimonoya Ryo Takasaki, Gunma , Japan H Kohga(p)、Y Sakai（b)、Y Ito(d)
It took up "sunset small burn" for the first time in a while. The ad-lib in three beats (or six beat) is cramped, after the theme 3 beat, it immediately escapes to four beats of two beats and three consecutive races. Slightly unclear as this is a session I want to make 4 beat and 3 beat intersect. The theme asked Mr. Kozo's image of Bass. September 22, 2018 Ashikaga attic night jam session Hideaki Kohga (p), Kozo Watanabe (b), Kaito Nakamura (ds) It is very pleasant to take up familiar music as a subject matter of jazz. Since there are many outstanding materials among a children's song or classics, they are very interesting. evening glow smallness glow) is the children's song announced in 1919 (Taisho 8) in 1923 (Taisho 12). it is one of the works as which it was announced by "the children's song appropriate for cultural score , and its 1" in 1923 and which are loved most widely as a children's song. The music of the Jonah omission scale which is calmly made into the lyrical words which sang just a little bit lonely country twilight although it was beautiful, and is easy to sing is the typical lyricism song of Japan which matched well. Although the thing relevant to this work had been mostly burned down by the Great Kanto Earthquake, the remaining score of 13 copies spread in the world by the basis [1]. This work is known most widely in many works which the songwriter's Nakamura 雨 red left. Shin Kusakawa, a composer, is the person who played an active part as a standard-bearer of children's song movement, and he founds the Otowa cradle meeting behind and asks the teacher of "last children's song composer" Minoru Kainuma who brought up Masako Kawada and the Takako sister. a prominent work -- "cradle -- having obtained -- " -- "-- there are choochoo", "it being spring at somewhere", "green breeze", etc. It is elected as the 100th elections of the song of Japan in 2007 (Heisei 19). (From Wikipedia) September , 22, 2018 Ashikaga Night Jam Session. Hideaki Kohga (p), Kozo Watanabe (b), Kaito Nakamura (ds)
ショパンの前奏曲集は 24曲がすべて異なる調性で書かれていますが、これはJ.S.バッハの平均律クラヴィーア曲集に敬意を表したものといわれています。 ただし曲の配列は異なっており、ハ長調 - イ短調 - ト長調 - ホ短調 …と平行短調を間に挟みながら5度ずつ上がっていくという順序になっています。 作品28-第20番 ラルゴ、4分の4拍子。コルトーに「葬送」と評されている。単純なコラールの中にショパンらしい半音階的和声の進行があって、興味を惹く作品である。後に、これに基づいて、フェルッチョ・ブゾーニが「ショパンの前奏曲第20番による変奏曲とフーガ」を、セルゲイ・ラフマニノフが「ショパンの主題による変奏曲」を作曲しています。 by Wikipedia 2018-07-31 この曲のジャズ化を研究中。今回はリハーサル有で更に手を加える。リハで私が出した指示は........ bassへ。テーマはbassでとるととても印象的になる。ピアノアドリブ1-2コーラスは4ビートで刻まないで、上の方で遊んでいてください。ピアノと対等に遊んでいる感じ。 dsへ イントロは苦肉の末。ドラムソロ16小節で 最初はブラシで、途中からガンガンの4beatで。8バース、4バース、2バースまで入ります。むしろ元曲を知らないほうが良いでしょう。最後はritのみ。
Pianoの反省 アドリブコードのつながりに難渋しギクシャクしてている。ドラムがステイックに持ち替えてから持ち直す。でも面白かった。 平成30年7月８日 高崎/くいものや亮 甲賀英明(p)、坂井康良(b)、小川由紀夫(ds) Chopin's prelude collection contains 24 songs with different tonality, but this is said to pay tribute to JS Bach's average class Clavier collection. However, the arrangement of the songs is different, and it is in the order that it goes up by 5 degrees while sandwiching C major minus a minor g major minus h major ... and so on. Op 28 - No. 20 Largo, four quarters of a beat. It is described as "funeral" in Colto. In the simple chorale, Chopin's prominent chromatic harmony progresses, and it is an interesting work. Later on, based on this, Ferrucio Buzoni composes "Chopin's Prelude 20th Variation with Fugue", Sergei Rachmaninoff "Composition Variations by Chopin's Theme". by Wikipedia 2018-07-39 I'm getting into trouble with the connection of this song, ad lib code which is studying jazz here. I am studying jazz conversion of this song. This time with rehearsal, we will make more work. Instructions I issued at rehears ........ to bass. The theme is very impressive when taken with bass. Piano ad lib 1-2 Do not carve the chorus with 4 beats, please play on the upper side. Feeling playing equal with the piano. The introduction to ds is the end of the meat. In 16 bars of drum solo, with a brush at the beginning, with 4 beat of gangan from the middle. We will enter 8 berths, 4 berths and 2 bars. Rather it is better not to know the original song. The last is rit only.
Piano's reflections It is difficult to connect with the ad lib code, and it is tough. Recover from the drum after switching to the stick. But it was fun. July 8, 2018. Takasaki / Kuimonoya Ryo Hideaki Kohga (p), Yasuo Sakai (b), Yukio Ogawa (ds)
ふう〜という感じ Mac OS High Sierra defect After ▲ I can no longer play AVCHD file, which is Sony Video Format, on Mac (Final Cut Pro X can not read). → AVCHD → mov. File conversion required It takes overnight to 15 GB with free conversion software (Here we freeze for a week work) → Purchase 30 x speed convertible software purchased → mov. Although the creation of the file became faster, but "the file is shredded every about 1 minute" state, "joining files" occasionally is connected in a ridiculous place (it can be edited but very troublesome) Uploading for the first time since becoming High Sierra The sound file was filtered by Sound Studio as follows 1) Equalizing (raising a treble and bass a little) 2) Normalizing (correction of dynamic range) 3) Reverb (This is trial and error) 4) Since the left and right localization was wrong, try changing the left and right channels Here I sighed.
実は このトリオで " Waltz for Debby " を演奏するのは 3回目である。いずれも満足のいくような出来ではなかった。今回も難しかった。間違いだらけだった。この曲特有の”落とし穴” にズボズボはまってしまっている。 初めて聞いたのは高校生の時 Cannoballとのquartet版であった。Evansに特別惹かれたわけではないが、テンションコード、ブロックコードが不思議でそこの部分だけつまみ食いしていた。 私はEvansが"苦手で嫌い"と公言しているのであるが、気づいたらSolo Albumの " Alone"と " Waltz for Debby "は結果的にコピーをしていた。 苦手な理由は、”ピンとこない”からである。あまりトリオに興味がなかったこと、カルテットでフロントをくすぐる方が楽しかった。Evansはリズム感が凄すぎる。当面遠ざけていたほうが無難と思っていた。大体、Evans大好きという人の演奏はあまりおもしろくない。 しかし Jazz Pianoの練習に欠かせない名盤であることは間違いはない。という認識。 私が圧倒的No.1 に上げる Bill Evans / Claus Germanの " Symbiosis "の一般的評価の低さに私の感覚がずれているのか それでも " Bill Evans 嫌いの Bill Evans フリーク」として、２日遅れになったが彼の命日 (9月15日) に捧げます。
Actually it is the third time to play "Waltz for Debby" with this trio. Neither of them was satisfactory. It was also difficult this time. It was full of mistakes. It has become tightly fitted in the "pitfall" peculiar to this song. The first time I heard it was a quartet version with Cannoball when I was a high school student. Although it was not attracted to Evans specially, the tension code and the block code were mysterious, and only the part there was pinched and eaten. I profess that Evans is "weak and dislikes", but when I noticed, Solo Album's "Alone" and "Waltz for Debby" were copying as a result. The reason I am not good at it is "from pins". It was fun to tickle the front desk with the quartet that he was not interested in trio too much. Evans is too rhythmic. I thought it better to stay away for the time being. In general, the performance of people who love Evans is not very interesting. However, there is no mistake that it is a masterpiece essential to Jazz Piano's practice. Recognition. Is my feeling shifted to the low general evaluation of "Symbiosis" of Bill Evans / Claus Ogerman which I rise to the overwhelming No. 1? Still it was delayed two days as "Bill Evans Favorite Bill Evans Freak". I will dedicate it to his death.
高校一年生のスーパードラマー 海斗君のドラム、素晴らしい。ノリノリです。すっかり彼に乗せられてしまいました。荒削りですが、音が生き生きとしています。この時彼は15歳（だと思う）。ジャムセッションのホストでここ2年ほど何度か共演していますが、めきめきと実力をつけているのがわかります。将来が楽しみですね。 2017年7月22日 足利屋根裏セッション 甲賀英明(p) 渡辺好造(b) 中村海斗(dr)
High school freshman drummer
Kaito's drum, it's wonderful. It is a ruttony. I was completely ridden by him. It is rough cut, but the sound is lively. At this time he is 15 years old. I have co-starred several times over the last couple of years at the host of the jam session, but I can understand that he is lucky enough. I am looking forward to the future.
曲を演奏する時にはその曲のあれこれを調べてみると楽しい。 ■Bolivia多民族国 2009年にボリビア共和国(Republic of Bolivia)はボリビア多民族国(Plurinational State of Bolivia)に国名を変更している。 ペルー、チリ、アルゼンチン、パラグアイ、ブラジルの５カ国に取り囲まれ、国土内に海への出入り口を持たない内陸国。憲法上の首都はスクレだが、政府主要機関はラパスにある。ラパスは標高3593mと世界最高高度にある首都である。 かつて”黄金の玉座に座る乞食”と形容されたように豊かな天然資源を持つにも関わらず貧しい状態が続いており、現在もラテンアメリカ貧国の一つである。経済の主軸はかつて金、銀、現在は錫、石油、天然ガスである。人口は1067万人（20013年） ボリビアの名前は19世紀初頭のボリビア独立戦争後、初代のボリビア大統領「シモン ボリバル」に因んでいる。建国依頼政治的に非常に不安定なため、クーデターは100回以上起きている。参考リンク 日本ボリビア協会 ボリビアってどんな国？ 外務省ホームページ ボリビア多民族国 Wikipedia ボリビア ■Cedar Walton シダー・ウォルトン（Cedar Walton, 1934年1月17日 - 2013年8月19日） アート・ブレイキーのジャズ・メッセンジャーズに3年間籍を置きウェイン・ショーター、フレディ・ハバード、カーティス・フラーらと活動をともにした。1964年にジャズ・メッセンジャーズを脱退。強く弾いても音の美しさが崩れない、「鈴の音」と形容されるピアノタッチが彼の特色。 (WikiPedia ) ■この曲の攻略法 この曲の攻略法は易しくはない。16小節のG の一発処理の後後半の16小節はベースラインを追いかけてアドリブをしていてはカッコ悪い。ましてはコードスケールトーンを羅列ではダメ。このコード進行の鍵は共通音を探し、あまり「動かずに」微妙に内声を変化させることがポイントだろうと思っている。なかなか気に入ったアドリブの参考音源も見つからないが、ベース・ラインに引きずられずに、シンプルに歌うことができるはず。と薄々感じているが、難しい. 一つのヒントとして、分数コードで解釈してても良いのかもしれない つまり ----------------------------------------------------------------------------------------- E♭maj7 Em7 A7 Dmaj7 A♭７ → E♭maj7 Em7 Em7/A Dmaj7 D+5/A♭ Gmaj7 F＃7 Bｍ７ Cm → Bm/G B♭dim/F＃ Bm7 Cm Bm Bm/A G#m7(-5) Gm C7 → Bm Bm/A Bm/A♭ B♭/G B♭/C Fmaj7 B7 B♭maj7 A7 → Fmaj7 F7/B Fsus4 /B♭ A7 ----------------------------------------------------------------------------------------- トップの和音が驚くほど移動が少ないことに気づきます。もちろん転回形もあり得ますので、解釈はこれだけではなくこの３度上の転回形コードもあり得ます。コードの記譜にあまり自信がありませんが、目からウロコが落ちた人も2-3人いるはず。そりゃどんな曲でも当たりまえだろ、という人もいるかもしれませんが、特にこの曲では重要と思います。●謎 Cedar Waltonが何故この曲にBolivia と名付けたかはわかりませんでした。 動画データYaneura Session, Ashikaga, Tochigi.April 30, 2016.Hideaki Kohga(p)、Kozo Watanabe (b)、Hiroyuki Kanazawa (d), Satoshi Kaneko (Conga) When it'll be checked variously about the song when playing a song, it's fun. ■ Plurinational State of Bolivia The landlocked country which is rung by 5 countries, Peru, Chile, Argentina, Paraguay and Brazil and doesn't have an entrance and exit way to a sea in the country. The constitutional capital is a sucre, but government major organization is in La Paz. La Paz is the capital in the altitude 3593m and the world most high altitude. The state that I'm poor continues and is also one of the Latin America poor countries at present though it has abundant natural resources as it was described as" the beggar who sits down on the gold throne" formerly. A financial principal axis is gold and silver formerly, and present is a tin, petroleum and natural gas. The population, 10,670,000 people (2013) ■ Cedar Walton Cedar Walton (January 17, 1934- August 19, 2013) was a member for 3 years and made Wayne, the shorter, Freddie Havard, the Curtis hurrahs and the activity Art Brakey Jazz Messengers together. He withdrew from Jazz Messengers in 1964.The characteristic by which "the tone of the bell" and the described piano touch with not deformed beauty of the sound are he even if it's played hard. (WikiPedia) ■ Capture way of this song The capture way of this song isn't easy. Since running after a baseline and doing ad lib, 16 measures in the second half are clumsy after blow processing of 16 measures of G. Much more for, the cord scale tone, it's useless by enumeration. A key of this cord progress looks for common sound, and I think it'll be so important "Without moving." to change inner voice subtly. The liked ad-lib reference source isn't also found easily, but without being dragged to a base line, it should be possible to sing simply. It's felt slightly so, but it's difficult. It may be the one which may be interpreted by a fractional cord as one hint.I notice that there is little movement so that a top chord is marvellous. A turn-shaped is also possible of course, so the turn-shaped by which interpretation is on these 3 times as well as this, cable is also possible. There are no itself in transcription of music of cable so much, but 2-or 3 people who fell should need a scale from an eye, too.Why, there may be a person who says that every kind of song is proper, too, but I think it's important by this song in particular.● It's mysterious.
I didn't know why Cedar Walton named this song Bolivia.
"Just Friends" is a popular song that has become a jazz standard. The song was written in 1931 by John Klenner with lyrics by Sam M. Lewis. Although introduced by Red McKenzie and His Orchestra in October 1931, it first became a hit when singer Russ Columbo performed it with Leonard Joy’s Orchestra in 1932. It charted again the same year in a version by Ben Selvin and His Orchestra and has been recorded often since by WikiPedia
During playing, it's also important to hear other people, but the rhythm in which one inheres is a problem. Rhythm of a piano is very unstable.
A rehearsal just became faster than the supported tempo, and it's useless, isn't it? An amateur regrettable performance. An animation of the reflection purpose.
I wanted to do more various things, I wanted to make a pitfall and play in particular. A not enough performance.
May 8, 2016 Takasaki Kuimonoya Ryo
Hideaki Kohga (p), Yasuo Sakai (p) Yuki Ito (dr)
"Feelings" is a 1974 song with lyrics written by Brazilian singer Morris Albert, set to the tune of "Pour Toi," separately composed by Louis “Loulou” Gasté in 1957. Albert recorded "Feelings" as a single and later included it as the title track of his 1975 debut album. The song's lyrics, recognizable by their "whoa whoa whoa" chorus, concern the singer's inability to "forget my feelings of love". Albert's original recording of the song was very successful, performing well internationally. "Feelings" peaked at #6 on the pop and #2 on the Adult Contemporary charts in America.
by Wikipedia 2016.3.21
A theme of a piano provided for a performance simply by this performance. Because an idea with the drum pattern is discussed with the pattern of the base, it's necessary to begin to compose a piano trio. I take the place where you could have a base at an image of a drum a little, to the extent, it seems good in balancing way.My ad lib had become intense hot, but the drum and the base were still. It was difficult to put the small hue of the cord.
March 13, 2016.
Kuimonoya Ryo Takasaki,
Kuimonoya Ryo Musician`s Club, Opening Performance
Hideaki Kohga(p), Sakai Yasuo (b) Yuuki Ito (d)
Come Together , Beatles , Jazz Piano Trio, Kuimonoya Ryo , Takasaki
Feb. 8, 2015 Kuimonoya Ryo Takasaki, Gunma, Japan
Kuimonoya Ryo Trio
Hideaki Kohga (p), Yasuo Sakai (b), Yuuki Ito (dr)
"Come Together" is a song by the Beatles written by John Lennon but credited to Lennon–McCartney. The song is the opening track on the album Abbey Road and was released as a double A-sided single with "Something", their 21st single in the United Kingdom and 26th in the United States. The song reached the top of the charts in the USand peaked at number four in the UK.
The song's history began when Lennon was inspired by Timothy Leary's campaign for governor of California against Ronald Reagan, which promptly ended when Leary was sent to prison for possession of marijuana.
The thing was created in the studio. It's gobbledygook; Come Together was an expression that Leary had come up with for his attempt at being president or whatever he wanted to be, and he asked me to write a campaign song. I tried and tried, but I couldn't come up with one. But I came up with this, Come Together, which would've been no good to him - you couldn't have a campaign song like that, right?
—John Lennon, All We Are Saying, David Sheff
It has been speculated[by whom?] that each verse refers cryptically to one of the Beatles. It has also been suggested that the song has only a single "pariah-like protagonist" and Lennon was "painting another sardonic self-portrait". (from Wikipedia)
Now, jazz-ization of this song was difficult. It's so difficult to destroy it that the percentage of completion of the former song and an image are firm.The pattern of the base and the pattern of the drum are important.Of a base, that a drum often thought of this pattern just as it is, I admire.
funky which is slightly, a cord work is also necessary. It's fairly good as a performance of a meeting for only 15 minutes. I wanted to break an image a little more.
「カム・トゥゲザー」（"Come Together"）は、1969年9月にビートルズが発表したイギリス盤公式オリジナル・アルバム『アビー・ロード』の収録曲であり、同年10月にシングル・カットされ21枚目のオリジナル・シングル曲ともなった。シングル盤はA面曲で片面は「サムシング」である。
レノン＝マッカートニーの作品。実質的にはジョンの作った楽曲である。リード・ヴォーカルはジョン・レノン。コーラスはポールだが、「昔のようにうまくハモれなかった」と零している。また、ジョージ・ハリスンの弾くアウトロ近くのギターの高い音は、ビートルズの公式発表楽曲中一番高い音とされている（ハーモニクスを除く）。
この楽曲は、「ドラッグの教祖」とあだ名されていたティモシー・リアリーが、アメリカ合衆国カリフォルニア州知事選挙に出馬を表明した際の応援ソングとして作られた（ちなみに、この年対抗馬として出馬していたのが、後の大統領ロナルド・レーガンである）作品である。
歌詞は、直接日本語訳するには非常に難解なものであり、アナログ盤『アビイ・ロード』の歌詞カードには対訳不可能とされていたほどである。ただ大意的には、ビートルズの各メンバーについて皮肉っているようであり、"One and one and one is three."の歌詞には「ビートルズは4人なのに1人欠けている」と、ポール・マッカートニー死亡説の一つにも挙げられた。なお、冒頭の「シュッ｣と聞こえる声は、 "Shoot me"（「俺を撃て」）と歌っている。『ザ・ビートルズ・アンソロジー3』に収録されたアウトテイクの冒頭や間奏部分では、ジョンが"Shoot me"と言っているのがはっきり聞き取れる。また、このテイクを聞くと完成ヴァージョンは歌詞を一部変更していることがわかる。例としては、アウト・テイクでは"he's one"と言っていたのが完成ヴァージョンでは"he one"と、be動詞を省略している。また、アウトテイクでは"knees"と言っていたのが完成ヴァージョンでは"knee"となるなど、名詞の複数を表す"s"がことごとく省略されている。
ジョンは、「ビートルズの中で一番好きな曲」と語っている。 (From WikiPedia )
2014年5月11日 高崎/くいものや亮 ■ジャズにした後で原曲を調べてみる 「主よ、人の望みの喜びよ」が含まれる Herz und Mund und Tat und Leben は学生の頃の医学ドイツ語の単語を並べたようなタイトルのカンタータ第147番＜心と口と行いと生活で＞ で、1723年7月2日の礼拝のために書かれている。この時バッハは38歳 タイトルはこの賛美歌の英語訳 " Jesu, The Joy of Man`s Desire "に基づいているが、「主こそわが望み」として教会賛美歌集第29番に収録されている。 8分9拍子の有名な旋律三連音のテーマで、私が馴染んでいるのはマイラ.ヘスによるピアノ編曲版（1920年）であるが、一度聞いたら耳から離れない。 バッハ『主よ人の望みの喜びよ』楽曲分析 http://homepage3.nifty.com/utremi/Records/Records_Writing0112_2.html さて、原曲をもとにピアノトリオ用に編曲に取りかかる。ジャズ化といってもリハモ（コード変更）という手もあるが、ここでは原曲に忠実に、リズムも忠実にストレートにテーマを演奏することを心がける。 ■コード譜に落としてみるとアドリブ困難？ ベースとドラムにコード譜面を書いてみると、24小節ワンコーラス。いつもの四小節単位で記譜したところ（４小節×6段）4小節単位で帰結してない。このままでは譜面をみてもアドリブがやりにくい。ベートヴェンに似て展開型による分数コードが多い。 G G Am7 G/B Em G/D C C A/C＃ D D/F# D G G Am7 G/B Em G/D C A/C＃ D G G/D G ■３小節単位に書き直してみると、 ３小節×８段となり G G Am7 G/B Em G/D C C A/C＃ D D/F# D G G Am7 G/B Em G/D C A/C＃ D G G/D G きれいに３小節ごとにコードが帰結しました。ふだん殆どの曲が４小節単位で帰結させることになじんでいるジャズ屋としては新鮮な発見でした。でも、よくよく考えると8分の9拍子を譜面化すれば当然のことでした。 本番では、ベースはPedal Gで、ピアノがコードを変化させて遊んで、ベースは「炎のランナー」で遊ぶ。ドラムへの指示は最初はストレート、途中からコテコテに盛り上げて、という指示だけでありましたが、かなりのコテコテ度で面白い。 ■ Investigate the original melody. " Jesu, The Joy of Man`s Desire " -- Herz und Mund und Tat und Leben contained is the cantata No. 147th of a title which put the word of medicine German as a student in order <the heart, a mouth, a deed, and a life>, and is written for the worship on July 2, 1723. At this time, Bach is 38 years old. Although the title is based on English Version" Jesu of this hymn, and The Joy of Man`s Desire", it is recorded on the church hymnbook No. 29th as "the Lord is just my wish." Although what I have got used to in the theme of famous melodic 3 連音 of nine rhythm for 8 minutes is the piano arrangement version (1920) by Maira . Hess, once it hears it, it will not separate from an ear. Now, arrangement is begun for piano trios based on the original melody. Even if it calls it jazz-ization, there is also a hand of re-harmonaization (code change), but it tries for a rhythm to also perform a theme straight faithfully to the original melody faithfully here.
■ When it drops on code music, it is ad lib difficulty?
When a code musical score is written to a base and a drum, it is 24 vibrant-tune one chorus.
When account music is carried out per usual 4 vibrant tunes (4 vibrant-tune x6 step), it has not concluded per 4 vibrant tunes. The way things stand, even if it sees a musical score, it is hard to do ad lib. There are many fraction codes depended on a developed type like the music of Bethoven.
G G Am7 G/B
Em G/D C C
A/C# D D/F# D
G G Am7 G/B
Em G/D C A/C#
D G G/D G
■ When it rewrites per 3 vibrant tunes, it becomes 3 vibrant-tune x8 step, and is
G. G Am7
G/B Em G/D
C C A/C#
D D/F# D
G G Am7
G/B Em G/D
C A/C# D
G G/D G
The code was concluded every three vibrant tunes finely. It was the discovery fresh as a jazz store which has adapted itself to the music of most usually making it conclude per 4 vibrant tunes.
But it was natural, when were considered well and musical-score-izing 9/8 rhythm.
A base is Pedal G, a piano changes a code, acting before the audience is played, and a base plays it by "Charios of Fire." Although it was only the directions "heap up the directions to a drum from a straight and the middle at first", it is interesting at remarkable to the core.
April 12, 2014 Takasaki K Note Jam Session
Takuya Aeba (as), Hideaki Koga (p), Koichi Yamanaka (b), Masami Kamiyama (d)
the origin of music.
what was made from an end of Edo Period and Edo as introduction music of 箏 for children in practice although written as Japanese songs and ballads of the ancient era in many cases (the author -- unknown). The words "the cherry tree which bloomed" stuck from the first. Generally it spreads as a song from the graceful melody after Meiji, and the present words are attached. There are three kinds of melodies by the difference after 13 vibrant-tune eye. "The collection of koto music" of the Tokyo music academy published in 1888 (Meiji 21) has a statement. It is sung in a scene international as a typical song of Japan in many cases. future generations -- although various arrangements are made, especially the Michio Miyagi's "Sakura variation" is famous. (It quotes from Wikipedia)
the author made at the end of Edo Period -- it is said that words were attached after the clear statement age with the unknown introduction music of Koto
Words are checked. The number of vibrant tunes is difficult for this....... Recipe
Now, arrangement is carried out on the topic of "Sakura Sakura" in my head. A base is a simple downward line. It is hard to give introduction development turn and conclusion. Although I am sorry to the original melody, it changes to the number of vibrant tunes which adlib tends to carry out.
Although it was having noticed after the performance, in my head, "haze, cloud, or smell " was cut in why. A feeling of color is emphasized with the line of impressive "Bm C♯ BmC♯" the second half. The last is Em sus4 of the McCoy Tyner style. Always taking care should perform the theme of the original melody beautifully, and, moreover, it should carry out swallowing digestion by the usage of Jazz. The check of an arrangement (a code, the idea of a rhythm) in F teacher is carried into the lesson of the piano of the week before. The teacher had the wonderful demonstration carried out, smiling wryly saying "It is again." Now, this performance carries a musical score into a jam. It is one-shot Take without practice. the directions before my performance -- "-- on the way --" member who needs to come out, needs to leave the original melody and needs to make it at a shower of falling cherry blossom petals judges at a moment, and makes music Mr. Aiba's alto sax -- truly .
Piano trio version April 13, 2014 in the member here another on the next day The Takasaki Kuimonoya-Ryo Musician`s Club : Hideaki Kohga (p), Yasuyoshi Sakai (b), Yuuki Ito (d)
When I ask the theme on 5 times of a base, it is a Chinese wind a little.
■ About Narita Tamezo, composer of " Hamabe no Uta
Narita Tamezo was born to Akita Prefecture in 1893. After performing the birch of an elementary school for one year, the Tokyo music academy (present Tokyo University of the Arts) was entered in 1914. He receives an instruction in Kosaku Yamada. And he wrote this song around 1916 (Taisho 5) "the song of a beach." Although his impression of the composer of a song and a children's song is strong, it is seldom known that he was the full-scale composer who composed many orchestral works and piano pieces. Moreover, almost all works are lost in the air raid. (From Wikipedia)
It is shown clearly in after years that this music was the love song which Narita sent to the woman of the fellow student of the Tokyo music academy. Around Taisho 5, mail reached from Narita the woman who was majoring in the piano at the Tokyo music academy, and there was a score with handwritten words in inside. "It offers darling Masako." It was described. It was "a song of the beach." It is already then said that the letter was attached, saying "her regular person being in me" since the woman was engaged, and the score was returned.
■ Words are difficult.
The songwriter's Kokei Hayashi was a classical literature person, a prototype was composition-business-built and this poetry was announced by the magazine "music" in 1913 (Taisho 2). It is set to 1916 (Taisho 5) for Narita to have attached music. I did not know that there was this music to No. 3. They are very difficult words.
■ It is Jazz-ization on the topic of the song of a beach.
European Jazz Trio has almost taken up the children's song very well. It seems that in addition, this music is considerably taken up as a subject matter of jazz. I looked for the arrangement which can feel warmth into a calm rhythm so that the image of the original melody might not be carefully separated as much as possible from the original melody. And I had uploaded to YouTube. It met with the performance of Makiko Trio of Kochi which had uploaded to YouTube .
The image of the rhythm was borrowed. It is not necessarily hard to call it an original arrangement by that. In this performance, a steam whistle and a sea gull appear by alto sax first.
Michel Camillo教授も小曽根真教授も長ーいソロを素敵に弾いていましたが、そこまで手が回らなかった。
だってあの部分はは反復練習しないと無理。クラシックとして。
From a friend's question, Is "Gershwin a classic or jazz!? Then, Kapustin?
This made me worried at the writing to say. "it is a classic that there is a musical score and it is jazz that there is nothing."
In my opinion, jazz is a language. Rhapsody in blue is seldom digested as jazz with grand classic music (all are not done). It is to make it -> Jazz language.
Now, the background of music is investigated when carrying out the arrangement of music first.
As for (Rhapsody in Blue), American composer George Gershwin is a musical composition for the piano solo which composition and the Ferdy グローフェ arranged, and orchestral music.
Rhapsody in and the title of being blue have a meaning of the grade of "the rhapsody by the usage of jazz."
by the way, a rhapsody (rhapsody) the epic poetry of the ethnic music style like there is no form in particular -- freedom -- since there is a meaning called the wild musical piece " of the fantasy style, Gershwin can observe having realized jazz to be the "ethnic music" of a certain kind in the United States from this title.
Gershwin finished writing at a stretch in about two weeks as music for the jazz bands of the piano which self plays, and small organization.
In that case, the Ferdy Grophe is performing the orchestration instead of Gershwin who was not yet well versed in orchestral music those days.
The orchestration of the Grophe is recarried out for [ of Gershwin's postmortem and large organization ] symphony orchestras, and this version is mainly performed after that.
(from Wikipedia)
Although it is my being interested not being performing as a musical score, and carrying out digestive swallowing once (it is decomposed whether it saying), carrying out using the "outstanding impressive theme", and producing another New Product, If it searches It performs by the combo and trio of small organization, and does not find a performance unexpectedly. Rhapsody in Blue , Eumir Deodato Trio
Trio Fusion flower and Eumir Deidato which carried out the loan and took the world by storm by Jazz-ization of Classic in 1977 were arranged in the time of the record.
It is true. It is said that Deodato is incidentally living this year (2013) at the age of 70. Rhapsody in Blue , Pyramid 3
Probably, this Pyramid 3 may call it the remake of the basic Deodato version, although face was a little surprised.
Concept three days after a title comes out from a friend The 3rd edition of Deodato/ Pyeamid is repeatedly studied by the car of commuting till the previous day.
although an arrangement is worriedly considered in the head, without going to a keyboard generally in the case of and one-shot processing and も of ad lib are good in eight beats however, the に which cannot get used the first syncopation somehow -- me -- once -- retreat.
If the bottom does not make that theme into a gorgeous feeling calmly.
it cannot bring to ad lib as it is not in one shot but in code of the original melody -- it is -- mind changes at ? and performance that day, and it cooks so that it may be easy to carry out ad lib by an orthodox piano trio.
Since the danger of lost has a portion of A of a theme adlib by 5 vibrant-tune-12 vibrant tune, a 1 vibrant-tune addition is carried out, and it is 。.
A code is also changed. The musical score was created.
And this performance is a performance performed on the day in the previous arrangement for one-shot rehearsal about 20 minutes.
Although such music must be able to flip a theme beautifully, it has been missed from the beginning.
A cause is that a theme will be busy touch if it unites with the speed (it is easy to do) of ad lib.
Mr. Sakai of bass -- "-- since a solo is for about 5 minutes before starting -- しょ "
"-- disagreeableness and there -- All the copies were not carried out. -- .. "
Although there long - Was also Professor Professor Michel Camillo and smallness Makoto Sone and he was flipping the solo strikingly, a hand did not turn to there.
Impossible, if Allais does not practice repeatedly as classic.
「ノルウェイの森」 大ベストセラーの題名として知られるこの「ノルウェイの森」というフレーズは、ビートルズの人気曲 Norwegian Wood［ノーウィージェン・ウッド］ の邦題としても有名である。ただ、Norwegian Wood は「ノルウェイの森」という意味ではない。これは「ノルウェイ産の材木」とでも訳すのが正しい。ビートルズのこの歌は、ノルウェイ産の材木を使って作られた部屋を舞台にした一夜の物語であり、歌の主人公は最後にこの部屋に火をつけてしまうという内容である。ちなみに、「ノルウェイの森」を英語で言うとすれば、woods in Norway か a forest in Norway となる』
さてさて、最近はこの曲を少しずつ色々な試みでアレンジしている。
前回は Augusta Jazz Funk Bandでのアレンジ http://choro2648.blogspot.jp/2013/09/hancock-arrangenorway.html 小池氏のsoprano saxが素晴らしい。まだコードのつなぎ、解釈がスムーズにいかない。
今回はピアノトリオでのアレンジ。だいたいこのトリオは選曲やアイデアを事前に連絡して置く程度で、本番前一発練習のみなのであるが、おのおの解釈してきたようです。それにしても難しい曲（アレンジ）だ。もう一息。（ため息）
