Well, there are two full control on the dream studio. Behistein in front and Benzendorfer in the back. The performer can select his favorite piano, but there are many people who choose overwhelmingly behind Benzendorfer for some reason. This day I was the 14th turn, but before Besenzen Darfur 12 people: Bechstein was one. One of them also played two songs "I want to play both" with two songs. It becomes uneasy if it is few so far.
Actually, we are not good at Benzendorfer in the back.
The crashing performance at the classical meeting for the first time improvisation participation (2010) is this
For some reason, I say that I can not get along with you, it is clearly rejected.
At this time it can not be deployed too much, desperately trying out various patterns on hand,
It crashed in 8 minutes and ended.
I "The sound of the bass is wonderful, but I feel that something is wrong with delicacy"
"I am unsatisfactory in the middle range"
Ask Mr. T of Jazz series that I'm planning to play after me agree.
Behistein in front is made in 1923 and sounds outstanding
There is a feeling that the touch is hit, there is a possibility of falling with an early passage. But important things do not refuse me. It is an easy piano. Tuning of this day is very wonderful, chord of mid range is comfortable
Finally, excluding the two songs of the two pianos, 20 Benzendorfer: finished with the victory of four Bechstein and Bösendorfer. At least for me, I wonder if the majority of people choose the piano that is difficult to play with that (I told you)
Improvisation played with the title "14 minutes conversation" three years ago is very similar to this improvisation. In other pianos, it is interesting that such improvisation is not made. The piano is playing.