This video recorded the performance that I and my daughter performed a piano duet in parents section of the piano society on March, 2002. "Someday my prince will come" and " When You Wish upon a Star" were arranged like " In concert style of chick Corea and Herbie Hancock". Parents section has disappeared for some reason from this next year.（woo!）Because I thought it to be prescription, I carry it. Data March, 2002 Maebashi dream studio 2F hall
The last of the jam session in 19th May,2007 at Maebashi Jazz House Augusta Cherry (a keyboard player to respect from Kozakura Project) to a game after an interval of three years, but I lose by a knockout plainly this time.) of The cause of defeat.... The reason "is not because I drank beer too much", and the reason "is not because I chose a piano", and Cherry is too terrible.
しかし、このビデオがアメリカのMusic Video Makeovers社のMusicProducer9氏の創作意欲を刺激してしまったようです。作者からの事前の承諾確認はなく、「やられた」というのが第一印象。 脇が甘かったですね。 怖いな。それにしてもここまで凝った編集に敬服。いったい何考えてんだろ。
cherryさんが私の秘書？。（私は上司か...） しかし何でゴジラが出てくるの。（苦笑） Fatal errorを犯したようです。 ちょっと間違えただけじゃない....（苦笑) illegal Chord used って。
Exhaustion
"It's improvised." for, it's developing while repeating a reaction in the sound by which one has appeared. An important element is "good piano", "good hole", "good tuning" and "physical condition management".But the physical condition on this day was worst. With not ending easily, going home was an usual thing at 2:00am the day, but work was in the state of the exhaustion on Friday the previous day (2015-05-15). I boarded the Nagano Shinkansen in sleeping hours for 3 hours. It was rescued by the thing which was only 20 minutes from Takasaki to Karuizawa a little. A head and a body aren't functioning so much.
Still it isn't done to consider the improvised contents by force. I'll consider the pattern of the improvised first. This had been decided. The passage with an early right hand and the phrase with a grave left hand were considered. And when stalling, the pattern of the scenic conversion is prepared for how to rescue in the mind about 2. You can entrust site processing with only all that from there. I happened to stall many times, but the pattern when stalling, wasn't used. But a phrase was far from the sense which springs from a body and comes out.
Anyway interest will be light-finger and come out of the phrase one has and the scenic inside assortment of a musical experience immediately. It's probably only the one with which the limited material was combined.
While seeing a clock is, it's improvised, for, a closet also has the experience which stalled, so I'm left to my biological clock and 10 minutes in declaration time are, it's improvised, it was compared and was exaggerated for about 1 minute.
The character of the piano?
I suffer from a touch and the sound of Steinway & Sons full concert gland piano in Oga hall a little at the stage of the rehearsal.
There seem to be also no things like Bechstein in a dream studio by quite early passage well for a touch. Still I failed to grasp the character of this piano. There is also an impression which is an effort, but when it's being bumped to the fullest, an answer seems not to be returning one or a shrew or is it better to tell a mute ring?
Three beat or quadruple beat?
There is a change one will repeat to ask interest immediately, and by which oneself are quadruple time and triple time in hinkai. This, it's improvised, I'm astonished that there is a rhythm change about 15 times. The person himself isn't conscious at all. The location which is the accent by a basis and 12 chances, it can also be said as it is being changed a little.
A halftone is falling.
There are very much parts where a halftone or Hajime sound rises or falls for the tone of the base for the pattern which becomes a basis. A chord of inner voice is changing in response to this. A solution of 5 can see almost no so-called 2−.
When it's left, to go to in D also seems to be a habit.
The character of the piano
It was in the state unfortunately which is consumed from the performance front. Without knowing the character of the partner's piano, the finger and a keyboard become selfish at the well time when I was struggling in the fight state in the sense which overlooked a moving place.
When it'll be repeated to ask later, this piano seems to have been good at making a complaint, not a fight lover sound beautifully.
But it was liked by the meaning that such fight state is different when it was repeated to ask since assuming that it was improvised, it becomes improvised. It's opposite to the just after consumption state.
May 16, 2015 / Karuizawa Ooga Hall
Karuizawa Twitter Paino Concert
Piano Solo Improvisation : Hideaki Kohga
Mr. Kinoshita who is also an excellent piano player is the one by which imaging played me from a fixed camera for this animation. It's as far as a rise picture of a performance has not been taken a picture of so much, and I'm embarrassed. The tone of the ceiling hanging microphone catches sound abundant in this piano excellently.
It's often moving, but my finger is still a performance of a dirty touch.I violated a misunderstanding in case of a rehearsal for 1 minute and 30 seconds.In order to go intensely forte because it's Steinway & Sons's full concert grand piano. The return of a touch was good best, so I fancied to seem able to be speeding away. But, this piano was the abundant sound for Debussy, and that I noticed that a complaint is a beautiful piano approached the second half of a performance, and was time.
I'm never thinking how to play what really.
Anyway I know that it's a performance in its reach of the part and reach of the light-finger.
The hand and a piano become selfish at well time in the sense which is being judged by empty third person judge when my head and eye play, and keep the distance a little, but I didn't have the sense at this performance.
I was fighting with a piano and was struggling earnestly.
This performance is typical stall condition actually, improvised. The image which is being played fought against a piano and refused, and I was in trouble.
Feeling always regrets one just after the performance, and is depressed. When I fail in conversation with a piano, I'm sad.
But when an animation after a performance is seen, the meaning to have that is fascinating. There are no stall senses which are being played so much.A piano is a fearfulness musical instrument. The spirit state of that case is expressed directly.Well, big trouble occurred on the work on the previous day, and I was busying myself until a little past one o'clock at midnight. The sense rather helpful to a lack of the concentration which is being played in a piano.
It's difficult to record a piano. Its sound quality often influences the location of the recording equipment. The reflected part of the lid usually scatters the tone of the grand piano to Kyoto and its vicinity, and hears sound as a ring in a hole directly, and comes. I'm embarrassed of an animation, but I should be very much obliged if you can enjoy the abundant sound.
User sideとしては超優良サイトですが、収益モデルの運営についても積極的にコミットが必要と思われます。
LIMEBOOTH closes it once before about 3 years and is achieving a recovery as Limebooth 2.0 from 2015.4.28 by a Belgian musical animation contribution site. I introduce LimeBooth including personal musical animation travel.
While that I'm my company (in mixi) "This is fascinating!" when a live animation is carried in Mixi using a digital camera (those days Fujifilm Finepix F11) in February of 2007, I have a public response and I have fallen into musical animation.
Music goes off at the moment. And even if I ask a person besides myself, musical much is the one from RATA ME. It's important to close a gap of the subjectivity of this case and objectivity. The "animation medium" for a player seems indispensable by a point of record, live reflection and a feedback to oneself. Moreover I came to begin to think you advance one step, and how to express by an animation.
There is restriction of the total capacity only 1000 MB, and while contributing about 50 MB of animation, unfortunately a mixi animation has been the restriction capacity right now. Therefore I have moved to YouTube in September, 2007. A mixi animation has finished giving the service already in 2013. This is one of the reasons that I'm away from mixi.
A profit model is priority and Youtube doesn't welcome communication.
Now, a registration debut of Youtube which" has moved inevitably" is September of 2007 because a mixi animation was one serving. Since that, 447 animations of revival frequency 1,340,000 time channel number of registrations reaches 928 people up to now for contribution of a musical animation. (Current as of May 5, 2015)
But every time it's altered, Youtube is something difficult for us to use for a contributor of a musical animation. Display of sharing of an animation and a comment, indication of an icon and the button which can be chosen Every time it's altered, a layout becomes difficult to use. There are sometimes also a lot of alterations which feel malice.
It's guessed, it's apparent that an important thing is "profit model through an animation" for " Youtube". An advertising advertising medium of a professional animation is most important, and the animation which has no advertisement isn't welcomed. "It isn't better" to have that I have advertisement, but it's the viewpoint where it "may be here".
But user which doesn't get in touch with the profit for Youtube isn't welcomed clearly. Every time I run after a year, non-ad insertion animation I'm thinking "I communicate using an animation." in particular is the tendency excluded plainly. The musical animation which is an amateur eventually, all carrying, impossible, it's being determined that it'll be. Like mixi.
History of Limebooth (1.0) and the feature
Limebooth is a Belgian musical animation contribution site, and Limebbooth 1.0 begins to register in November of 2010. My registration is March, 2011. As a name of "Artist`s community", an animation is contributed with various musical companies in the global back and it's done noisily. It was the site which says so. Even YouTube is so, but the overseas one is preferred to the country several times for a reaction to an animation. There is also a lot of writing in. To the extent Japanese even seems difficult to communicate.
An animation, warmly, there were a lot of animations and" the one which isn't in a professional musical animation" was felt. The quality of the technology and the recording recording was also important of course, but music was after there was something to want to inform what which isn't quality of recording recording even technology is.
The response of the secretariat to request was also good with the design which reaches the itchy place left for Use side.
Closing of limebooth and limebooth Community
But it's autumn of 2011 there was information on a server financial difficulty, and information on introduction of the sales of the goods, a pay member and a bill and other things jumbled, and Limebooth fell server not sufficient, and that it was closing. It was only 1 year from starting. A Limebooth refugee brought and was invited to several animation contribution sites in quantities. As user group where the one is unrelated to a secretariat of limebooth in Fandalism https://fandalism.com and Facebook Group, "Limebooth Community" https://www.facebook.com/groups/LimeboothCommunity/
It's different from YouTube to meet here and there on the net and fascinating.
But is it the one which is how to contribute the one which stuck a picture on a source to an animation site?
The renaissance of Limebooth 2.0
An empty beta test was begun (around autumn in 2014) before half year on Facebook, and it was the rumor that I restore soon, but Limebooth 2.0 on April 28, 2015 was registration starting.
Something to which I say that it isn't too different is honest impressions in the present place. Is it OK? It's that not that to be different most uploads a principle animation directly for server load reduction, but YouTube in addition to correspondence was linked with the form stuck on in smart phone. It's a super-excellent site as User side, but it seems also to need a commitment aggressively about operation of a profit model.
Never Said (Chan's Song), a composition that Herbie Hancock wrote for the movie Round Midnight, which Stevie Wonder wrote lyrics for.Considering the position to perform, this music has a quite difficult advance of a code.
In my case, anticipation attached automatically the chord progression with almost all near music usually, but this music was an important point musical score.
February 28,2015 K Note Takasaki
Music Exploration Company http://choro2648.blogspot.jp/2013/03/music-exploration-company.html https://www.facebook.com/MusicExplorationCompany
Kotetsu Tigar (guitar), Takuya Aiba (soprano, alt sax , EWI)
Hideaki Kohga (keyboard, piano) , Hiroyuki Kanazawa (drums) ,Masayuki Doki (bass)
" 500 Miles High" is the song which was recorded in album Light as a Fether Chick Corea released in 1972. That "Spain" is also recorded in this album. Flora Purim is singing by this album.
いつかあなたは彼女の瞳をみつめ、そしてもう別れはない、
昨日は過ぎ去り、あなたは別の世界にいることに気づく
高度500マイルに
彼女は優しく、暖かいことに一目で気づくだろう
これが愛であることに気づき、あなたは別の空間にいることに気づく
高度500マイルに
あなたの愛をずっと自由にしなさい。そうすれば愛は絶えない。
これが真実、それだけは知っておいて、そうすればあなたはいつもいつも空の上にいる。
高度500マイルに （和訳 : 適切な和訳が見つからなかったので自分で訳しました）
1972年にChick Coreaが発表したアルバム Light as a Fetherに収録されたた曲 このアルバムには あの”Spain”も収録されています。このアルバムではFlora Purim が歌っています。さて、荒削りなバンドですが、曲の意図を理解し、自由に異次元に飛びだってしまいそうな 演奏です。正直自分で「このようなバンド」で「ジャズを演奏する」のは初めての感覚でした。感想 : 恐ろしい。
Come Together , Beatles , Jazz Piano Trio, Kuimonoya Ryo , Takasaki
Feb. 8, 2015 Kuimonoya Ryo Takasaki, Gunma, Japan
Kuimonoya Ryo Trio
Hideaki Kohga (p), Yasuo Sakai (b), Yuuki Ito (dr)
"Come Together" is a song by the Beatles written by John Lennon but credited to Lennon–McCartney. The song is the opening track on the album Abbey Road and was released as a double A-sided single with "Something", their 21st single in the United Kingdom and 26th in the United States. The song reached the top of the charts in the USand peaked at number four in the UK.
The song's history began when Lennon was inspired by Timothy Leary's campaign for governor of California against Ronald Reagan, which promptly ended when Leary was sent to prison for possession of marijuana.
The thing was created in the studio. It's gobbledygook; Come Together was an expression that Leary had come up with for his attempt at being president or whatever he wanted to be, and he asked me to write a campaign song. I tried and tried, but I couldn't come up with one. But I came up with this, Come Together, which would've been no good to him - you couldn't have a campaign song like that, right?
—John Lennon, All We Are Saying, David Sheff
It has been speculated[by whom?] that each verse refers cryptically to one of the Beatles. It has also been suggested that the song has only a single "pariah-like protagonist" and Lennon was "painting another sardonic self-portrait". (from Wikipedia)
Now, jazz-ization of this song was difficult. It's so difficult to destroy it that the percentage of completion of the former song and an image are firm.The pattern of the base and the pattern of the drum are important.Of a base, that a drum often thought of this pattern just as it is, I admire.
funky which is slightly, a cord work is also necessary. It's fairly good as a performance of a meeting for only 15 minutes. I wanted to break an image a little more.
「カム・トゥゲザー」（"Come Together"）は、1969年9月にビートルズが発表したイギリス盤公式オリジナル・アルバム『アビー・ロード』の収録曲であり、同年10月にシングル・カットされ21枚目のオリジナル・シングル曲ともなった。シングル盤はA面曲で片面は「サムシング」である。
レノン＝マッカートニーの作品。実質的にはジョンの作った楽曲である。リード・ヴォーカルはジョン・レノン。コーラスはポールだが、「昔のようにうまくハモれなかった」と零している。また、ジョージ・ハリスンの弾くアウトロ近くのギターの高い音は、ビートルズの公式発表楽曲中一番高い音とされている（ハーモニクスを除く）。
この楽曲は、「ドラッグの教祖」とあだ名されていたティモシー・リアリーが、アメリカ合衆国カリフォルニア州知事選挙に出馬を表明した際の応援ソングとして作られた（ちなみに、この年対抗馬として出馬していたのが、後の大統領ロナルド・レーガンである）作品である。
歌詞は、直接日本語訳するには非常に難解なものであり、アナログ盤『アビイ・ロード』の歌詞カードには対訳不可能とされていたほどである。ただ大意的には、ビートルズの各メンバーについて皮肉っているようであり、"One and one and one is three."の歌詞には「ビートルズは4人なのに1人欠けている」と、ポール・マッカートニー死亡説の一つにも挙げられた。なお、冒頭の「シュッ｣と聞こえる声は、 "Shoot me"（「俺を撃て」）と歌っている。『ザ・ビートルズ・アンソロジー3』に収録されたアウトテイクの冒頭や間奏部分では、ジョンが"Shoot me"と言っているのがはっきり聞き取れる。また、このテイクを聞くと完成ヴァージョンは歌詞を一部変更していることがわかる。例としては、アウト・テイクでは"he's one"と言っていたのが完成ヴァージョンでは"he one"と、be動詞を省略している。また、アウトテイクでは"knees"と言っていたのが完成ヴァージョンでは"knee"となるなど、名詞の複数を表す"s"がことごとく省略されている。
ジョンは、「ビートルズの中で一番好きな曲」と語っている。 (From WikiPedia )
Bouncing with Bud (also known as Bebop in Pastel), is a 1946 jazz standard by American jazz pianist Bud Powell, which features the saxophone of Sonny Stitt and the trumpet of Kenny Dorham. It was originally recorded on 23 August 1946 during the same session as "Fool's Fancy" as "Bebop in Pastel". In the key of B-flat major, the tune is a "nonblues theme whose form is A-A'-B-A' with an eight-bar interlude that is not played during the solos."
Powell played the theme under the debut title "Bouncing with Bud" on 9 August 1949 at the Blue Note Jazz Club with Sonny Rollins, Fats Navarro, Tommy Potter and Roy Haynes, for a recording which is often wrongly thought to be the original. Numerous artists have covered it, including pianist Keith Jarrett, as the opening track for his 1999 live album
